Весела

Amina Vesela
Motion Designer

WORK EXPERIENCE
PERSONAL Oschadbank
DETAIL Customer Service Manager, February 2024 -
November 2024
Telephone:[открыть контакты](см. выше в блоке «контактная информация»)
Email: [открыть контакты](см. выше в блоке «контактная информация»)
Radabank
Location: Odesa/ Mykolaiv
Senior Economist for Retail Banking,
November 2024 - October 2025
Telegram: @vesela13
VST Bank
Dribbble: https://dribbble.com/
amina-veselaya Senior Specialist in Retail Banking Operations,
October 2025 - Recent
LinkedIn: [открыть контакты](см. выше в блоке «контактная информация») Freelance
amina-vesela-3032b53ba

Motion designer, February 2025 - Recent
SKILLS
AI-Generated Content Responsibilities:
Creation;
Proficiency in using AI tools (ElevenLabs, Veo3, Nano
Motion Graphics;
Banana, and others)
Character Animation;
Creating promotional videos for various platforms
2D Animation;
(Facebook, Instagram, TikTok, Pinterest)
Proficient in Adobe After
Effects, Photoshop, Generation of the visual component of the creative
Premier Pro, Figma based on the technical tasks of the marketing team;
Close cooperation with the marketing department
and discussion of ideas for improving the work of
existing creatives;
Analysis of competitors' advertising materials and
ABOUT ME social networks to track global design trends;

I’m passionate about Achievement
motion design because it’s C onsistently d elivere d creatives w ith strong
a field where creativity performance metrics, inclu d ing high RO I an d C T R
has no limits. It’s Successfully contribute d creatively across
constantly evolving and various d irections of a single pro j ect
opening new possibilities,
so I keep improving my C onsistently d elivering high -q uality motion
skills along with it. graphics an d visual solutions.
Designing an d buil d ing 2 D assets, inclu d ing
LANGUAGES characters, environments, an d U GC , using AI tools.

EDUCATION
Ukranian: Native
Petro Mohyla Black Sea National University by
English: Intermediate specialty finance, banking, insurance.
U d emy: “ The Ultimate G ui d e to Motion G raphics

in A fter Effects ”